Although my review will wait until the movie opens, word will be quickly spreading from a capacity crowd that was urged by writer-director Peter Berg to shout at the screen: "Hit it back! It can take it!"Diaz has a supporting role, as a 27-year-old who is focusing obsessively on her upcoming marriage. 1 at the box office, here's Cameron Diaz back again in an even grosser movie - one that makes "Mary" look positively tasteful by comparison."Very Bad Things," which had its world premiere this weekend at the Toronto Film Festival, tests the limits of what a general-audience picture can contain. TORONTO, Canada - One week after the gross-out comedy "There's Something About Mary" reached No. You'll see the one thing he wants you to see, but everything around it is dead space. You won't experience the thrill of discovery while looking around in a Nolan frame. Now a character will tell you what he represents and what his goals are." And so on. Now here's some dialogue to explain the movie's fictional rules. His Comic-Con fan base makes extravagant claims for each new film - particularly since Nolan began producing his graphic-novel blockbusters with "Batman Begins" in 2005 - but the movies are hobbled by thesis-statement screenplays that strain for significance and an ungainly directing style that seems incapable of, and uninterested in, illustrating more than one thing at a time: "Look at this. Let me say up front that I don't think Nolan is a bad or thoroughly incompetent director, just a successfully pedestrian one. I've written quite a bit about why I find Christopher Nolan's post-"Memento" work lackluster, but this exercise gave me an opportunity to condense my reservations about his writing and directing into one relatively concise piece: You've probably already guessed my choice. Each of us picked a person whose presence, behind or in front of the camera, we find wearisome and debilitating - as in the Merriam-Webster Dictionary definition of taxing: "onerous, wearing." For tax day, the editors at MSN Movies came up with an idea for contributors to write short essays about the most, ahem, "taxing" people in modern movies.
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